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从今 )天到明天

从今 )天到明天

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年份1997
地区法国
语言其它
状态HD中字
导演:达尼埃尔·于伊耶,让-马里·斯特劳布

剧情简介

Based on ,!>%an unknow_`^n Sc; +hönberg- opera)@ from 19#29,'-> From% Today Un.til $<T\]omorro?^w&* ex`&*plores :one_*< night in a n#].ot-quit**e lovele'`/ss ma )rriage. A&`__ h"u&.sba nd@ and wife ret*urn >`fro'& m a ^=^%part$y where sh e h*`as fl[]`[i=#rted with>?( anothe`/r : man,*> while +he has.  )cast [an appraising e"ye@-; toward an attrac:ti&ve, fa;s!.+hion;=ably dress $e!_d acquainta+(nce of% his wife’s. Tho$#ugh each dre-*ams, briefly, of leav"ing th&&/$ e ma$:<$r%_ri age for =the exci,\[temen,%t and<\<& mystery ]'of a new lover-! , in the end they'&?/ deci$&d`e stability and ;=c.$o);mfor.$<t +are more imp&ortan][t th%.an the f+` l[eeting ^ ?thril./l of new rom+ance. Dire!ctors.# Jean-Marie#: Straub ]and Danièle $Huill* .et, w'\ho previously #:.collabora\ted on t*wo oth@er=!$ - <\fi*,/lms abou !t music (Th[e C=hronic`le of Anna:!! Magdalena B-.ach, ; 1968, and :*Moses and Aaron , 1975);'`, rel y on lo;ng fixed shots in au(,stere black-and-white so that the fo&"^cus remain$s on the m#u^sica'?l br(ill*iance[ o=f Schön_;]berg’s atona;$l score, performed here;&([ by 70 (/_musicians.? That Schö]@#nb : e?_rg; wo]#uld\]!* c;hoose such a relati&`\vel;_)y lighthear: ted messa:.>ge for h^%is n"ewly discover]-]ed musi*><cal language  remai -ns a myste;@ry, e?-!<%s ?/p ecially since the conclusio'n -% reached b#y^.( the hu/--sband & ^and wife;—to stick w^ith the tried  and t.r?ue—seems di(rectly.` at odds wi %'th,%. Schönberg’s % (own!? philosophy \of composi$ng. It is ju>]+:st ,th%is j,,uxtapositio(^'n, how'ever, coupled=^\ with Straub and Huillet’s faithful pr)es&`+e!-ntation, that &ma[=kes^\ th[e o+>pera a compel@ li\ ng(+. addi>(tion t(o !the Schönberg canon—and the; film such a challengin"=*=g and intriguin_<g experience.

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