造物!/ 的奇迹

剧情简介

Wunder der Schöpf\[\ung is an extr+!aordinary"
, #]"fascina'>t in@g :Kulturf*:i& #lm tryi-- [(ng to= ?$expl`\
ain the ;,w. hole human k\
]#n^?ow+"ledge of the 1920s abou,!t t&he* wo;r?\l,d and ?: the univ ers $e. 15,
 s"+peci(^&al%>(< e`#f__;`-fects exper(_ts an?#+d 9 cam&@#era+;men` ?wer_=e invo>_>lved in the p
^+'roduction( of this f+\+il
?m -wh?<
ich comb)"i;'nes,,_ documentary scenes, his]tor@$ical:. documents, fiction e;""l)]em*_-e>'>nts, animation/ sce,- n+!
;es< a_(nd) edu`.?cational impact. It it\"s beautiful ly colored, using tinti#/ng and ton?/ing in( a very el//[aborated w?:ay.= Some visual id`
'eas i_n the sequen>+ces wit<<h a #(.space shuttle vis#i*#ting d'#$;ifferent planets in the un)iverse seem ";to h,:ave to #_be the inspiration for S_!ta[.`nl\ey Ku+b?$?rick+'s 2001: A Space Ody.sse^#+]y$.　　In th="e contex?t of Ge
rman@?y's- Kul:^turfilm phenomeno, #n`, Wunder % der#=] Schöpfung -`was amo n +g the greatest ","ac*hieve<_ments of th]e 1920s. _)[The p#roduct^"ion was cons,[tru'cted, rehe@a#rsed, and ?sho;/-t]= ov_er a period of two and a[?# half $years, under the sup
(e;:&[rvis&ion of Hann/s Walter Kornbl `%um. The .idea to describe the uni"v ?%]erse and?  ma_;:n&'(+' plac$e in it well suite!d U_>`FA
's>>_^ Grossfilm@% ?/+[mentality, one =$-y"ear befo-=@re^ ^ the Metropo/ _lis catastr;*op%_#:he. Hu.;ndreds of sk_ ille><^=d cra&ftsmen particip*<@a![!%ted in the p)^roject, % bui)lding
 props= and constructing,;
scale mod_/el%s drawn by 15 special effects drau^gh/tsmen, whil-)(e 9 c!ame*ramen in separa$%te units worked on the histor,]ical, doc,(umentary, fiction<!, ani!mation, and !science-ficti_on s> eque&!^nces.!=" Without% star ?$%rol\,es or $\ ")ev en$ protag;oni:;sts, the)% film's plot: is crowded with `m#etic"ulously structured an!d skill^!,/fully _?acted single ?sce
nes an artful mosaic of sma\l:l vig:
nette:&s. No less t-@han four >=;credit;;+ed (:[>un ;i>`);ve^rsi%ty*-!: professors en_?"sured the factual backgro`'#und behind [?the scientif.&ic and historical ev''ent#s" >p^or?trayed.　　T.*h>(e film's symbol ?%_of, progres]/\s and t&he new scientific era is a(
' ,s-pace@craft/ ,&( travel+ling through the Milky W^>ay, making all the\ planets*( and their ins$piring worlds,` fa"=.; m&ilia-:r to us, w;;
ith the &,extr!avaga_nza of their *@d)$i`]
/stinctive featu#@%res. The fi .; lm'$s educat$ #iona_;l intenti+o`ns, ho\ (wever, be#com=e steadily more obscure, humorou#<)s, or e&ven campy as thi+s p+opula<)riza%;.ti?on project pr)oce,#ed[^s. With the e?]]xcuse of pre`sentin
g the end of #!.the-`/, world a\`- n`ot-so-new'> concept& as a new, undeniably scientific truth, the film vee/('rs happily al+!ong a n\ew path, displ)/ay?^ ing det^\[ai=+_l+ed apocaly/?[>ptic sce_n)es of ]/the e<`); nd o\:/[f #=manki@$nd. For today's audie% *nce?s, this a:"m'a $+?zing$'` film de]#mon'str>)at-+ es how$ the u!niver%!"se wa!]$s comprehended$) in the 1920s, and how tha,)*t v
^;i /ew,! was *so>+ld t(@o-"@ contemporary audiences.