冰刀

剧情简介

This earl'$y !`70/\'s g#]i=a*.#llo by +?>Umbert*
o$<> *`Len;zi i=`s certainly am%*]'ong the bes =t *in his filmography an<'*:d al(so in t-(he wh] )ole/_ genr$/e. ^Personal'ly I th?#*+ink Len;]zi's best fi[>` lms are th`e fun_ny carto"o<n-tu$",rned-[film Kriminal ,, t)he  stylish gial **lo Sev#en Blood?-St+;@ained Orch(]ids, th=!e '%:?explosive Napoli *' violenta and '/t&`.hi_ s. In the eighti&[<=$es
 he d>;id plenty of film trash in form ?of E'aten Alive, Hi`tcher in the Da>;&r' -k^ or>,@ , Bla( ck Demon_s* $, all of .\which a+?re (ripping some(=thing off andor"! ve

$^ry d
ul=<&l and s`low mo%/vin'`g. Knife of Ice came wh?]
en #.:the g_iallo boom)> was at it#(s h,ottest and:/^# the (result is? convincing.　　Techni_,"<cally the film is superb,) contai ning gre+^`at/) cinemat:`ography<* in (#>@the beginn=?in"$*\g wh:-= en we le #[a#rn about the main char`&/ac(ter's trauma towards.[`: -" trains. F"- rom this &#point on, !`(Le= nz<#i shows us hi>#=s " ]a= bility to b?en;]ef=#<]it the widescreen and, for example, the bicycle r? :%ide near the fo[rest /(is* g=enuinely beautiful!,. This sc)(ene also sho^$ws Lenzi's abilit\y to buil)> #-d suspen:,se,"" v/ery slowly but ,=#"m?eaningfully.^ Aft
<er
' all, =@th\ ere a?>ren'!/#t(+ so many murd?"ers $(in the whole film, only the sus`[pense  circulating around@< the m.,urd;e-re;?r 's identity.　　One suspect i`s a dev ".i? l wo
rsh. @ip_per which br.)ings new aspects t;)o th$ e mystery. Si nce the final .(/scene takes place in? a c
hur-/ch, o+",ne c((an wonder if$?`_ Lenzi want ed to c(^omme.,nt 'o";n some] @-thing, maybe
the hypocr,#it:ical moral(e o;f \church and s`<uperstiti[<on. /Th,^
e main character (=-
Carrol% (` Baker)#( is m<ute whi"'ch  dema% n/)ds a <lot from he&(r face and eyes.>; =
The actress works ver)>y wel[^l, -giving u#` s a bel
ievable perfor$#mance circulatin(g '^`a>:round $:=[th
<e emotion++s of f] ear and men+\tal pa
$in. The o%ther @`=actors are g,o!:=od, too. The fina,_# lly, <however, may n::ot give /<too posi,"`t;]^ive( !?a!, sigh//t about )"#female s",ex since they all are express/ ;ed ra<<ther nega%`tively in the
&film, on\=e way! or a*% ,no
ther. -S&+!till this is e*-asily =[#[among _the mos=t:= noteworthy;=! in[# th \e genre&), .not as b> '[lood`^y as the Arg^]ento films/$, for example, but eq-!@*ually su/+]spenseful and visually also i-(,nt)eresting.