沉寂$[+之桥

剧情简介

Ma+.rg + *Duffield (Lee Remick) ` is the`%> Maine wife_ of Al (?Josep?]h>' Sommer) whose daughter Peg;?  (Marlee: Ma : tlin) is (deaf. Peg's hus_>+@b)?"a(nd is killed"+=* ^`in a -.ca#(r. acc?,.ide>n[)]<t on?% the way+ t> o& vi(([sit the ![Mai$ne( house, and th\]e Duffield(' \(s :[@`take in P:["eg]'</>
s s ix ye)ar:[@ old / daughter/[,=[ L&)isa,? whil\^e Peg rec,overs. Since Lisa i]s a speaki_)n;^g child, Marg thinks]?? of &her th#e way s[/he wante,+::d#* Peg to*=%)< b]e, and s`,ee -ks gua!=<r, dian% custody.　/　 Re>m [ick's ro?@-le is secon!dary t+o Matlin's[, thoug'#h she is pre"sent_..ed as a t`ragic f)igu`%re, particularly] = *as %Al refu ses to <'-@help h@e^*r plan to@\ ga.in Li[sa. Peg'^.<s d#>)$ea)^`fness is *#s+-aid to be from a c)=([hildh^:oo#.^>d ca\se of spin@;al meningitis, and\$! th**e tele\/play by Louisa B?
urns-B)isogno`?, wi>th &story by`. Louisa and Tom Bis^[ogno, :redu-= ces[/, Remic; *k t[
o a textboo>)]k mothe.`"r who is se$!lf-h
]'$ating from guil t and therefore
> cannot love he r+` o-(;w=n da'.[[ ughter.%@ In a mem#&orab&<`le# scen_e, Peg angril^`y sig
ns her exit 'to ^ &Marg', since%[: Mar'g has r
_+ efused to le+arn`,[ sign (<`langu)#age, though[( Peg has learned to speak for /?h`.&er ]<mother.　　The tr$'#e+'atment u@<ses \)_th;@e Tennesee Williams play=$, The Glass Menag=^'e\\_-r).ie, for therap?"y:;,, to help Peg over[:'(come her grie-
< f an).d a[
"lso%&* Marg `lose her un)ic^<,or ';n horn' and em;b#race he%<r d/
.au ghter. -:?Whilst P  eg cho`=]osin\g(' to act in this play >#may; seem an odd ch)(oice for s_omeone
= _<griev[
in_]g, what is m\)$ore no`,ticable is that Matl&"in is far to/?o &]mor`e glamourous /_to be believable as Laura.[ T!he Bis:.;ogno$\'s include Michael O'+? Keefe as Da <n, Peg'%"_!s deceased husband's)[ -best friend /'*?and di:rector of Act^+)ors Theatre for +the Deaf, to o^>ffe`-r P%(#eg a new r)
,omantic intere st, and thankfu`;l*^ly 'she $rebukes his :p&rotestatio-^ns o%:'+f !love. A  lthou#?g[h h:is opinion may!.=' be  -i-/?nflue#&'
nced by his `crush'",
(? Da,&[n te
@(lls P@+*eg that being differ(?#^ent is better tha(`'^n bei<ng normal,"@? s$i#!nce :."the norma=l ones a$--]re /as `commo
]]n as we%ed[s'. Th$ is
$ ph: -ilosophy reads as rather Ni+)\et",zschean, on the ']leve",]#l o]f artist(,@s! not being restricted to the commo!@n mo(ral code.　　Director^[" Karen? Art hur ;e^,it:her*[ has those s=+ igning (' also speaking(* or%- those signi=$!ng @.
being<` tran\/slated for the au.#dien<?ce, though in`!! '?^/,one scene t<>h e soun?d of lapping waves .(d"&rowns ou[t &t*>h< e dialogue :;between D\-an an^";<d Peg. Sh)(e.< also gives Matl'in some g=ood momen.>.ts, one (being
\+her scream# ;`of horror when s"'!he (;<hears ->the  ne.^# ws of )[+the death of her =husband, an=d a nother; when she chases Rem<:ick "<down a flight o,f st:?=ep$@s, hittin g her.