痴心女子->负心郎

剧情简介

No\ve_l\&ist J#oseph ; Shearing *sp/>ecialize@[d \?in us`%
in?)g real case][s w\\_(=hich to` /ok pla
'.c@? _e in ,]Victo- 'ria`)n England, >
alte.rin*)g them f or fi*>cti@<=onal ?<purposes. M_\OSS ;'%$ROSE in 1#947 was the first ,`f.ilm to be made f#ro-$m his novels,_[ [-t hen in\@&> 1948 two* of his work? s w ^ere adapte!-<d f or the; screen]\ , ]>;this @/fil;?:m! and;$ (THE MARK OF CAIN. The /%> movie
)[. stars Todd as a recently wid  #o>) wed missionar,.y returning <]`to [.]@her home in Engl.a`nd from Ja,maica. During the v[o[-@yage,. +[ she meets Milla \nd, a ch-arming though@, ;/dangerou+;s rascal who is wanted b(.y.
p"+olice in co$nnecti/_'on with some unsavor&y deali**ngs@@. Mil\%l! +an>d ! contracts ma,laria while onboard the sh>%)ip a^+[nd Todd nu+rses / ?'him back%' to health
. In Lond_*\o>+%n, Todd sett!les into her home__, taking  in board=ers to make@ ends"` me et. Mi lland=; arrives, mov^!es in, [@an?'d ;#proclaims his [  lo ?ve(; for h $er%. T.>odd "(=is #thrilled, but i%t see`\ms rat;her\ obvio%=us that Milland is on:<ly t oying with her. Mi<lland /+fin ds some l_etters writ]\ten (to her by h\!er friend, F'itzge.+ra*ld, in which Fitzgerald re[vea ls som](e o-f he-r sexual in'discret$io^ns. Since Fitzgeral ;(d is<\ now married@*\( t o th[e wealthy Huntley, Mill..and
be*\:li<^eves^?+ he can+( use >$the ]le_+tters to bla/ckmai_ +l Fitzger&&>!%ald. Tod (d's l`ove for Milland is so great t ha%t she `goes alo: <ng '%with the pla'+"n(. Hunt+=ley$, ho
wever, ' learns of t:+he scheme\ an> d also unc;-,o=`=?vers detail%s of Millan_#d's-; shad
+&y past#". Fear _<ing\ for -)_
_her l$,<`over`'s saf` ety, Todd"\ po : is# ]/ons =Huntle. y,] .?#th* e>n rem%ains /@)?silent w^$!hen Fitzger!:&ald is arrested for>, the murder. Milland h&as` by now g.` enuinel^y fallen in love ?!`with Todd and.? the tw_,o m)ake pla
)ns%.`` to leav?e Englan!, d.& Bef@ore the\@y can dep=a\rt, one(; o_-f Mill\and'!'s f ormer lovers s* hows up 'and T[o`=dd, i:n a= jeal@;ous rage, kill:s Milland, then turn!s ,/[herself into(' the polic$e.　　This is an intriguin
"g /fil>m+#(,%- a/lthough a little o;>n the, # ?talky side. \^^The pe:*?rfor manc/ es are excellent thr&oughout, with Milland s!hin"@[ing as the $'cad, the typ,e !of role i"/\n whi-%ch he@ exce?ll<*
ed. T$hough= [' ,.h*"e ;;spen>t m?] ost of h/%<@is, time making films+[ i##?n the US, h>(;"e occasio/&nal;%'\l"y returned to;* his native.  Engla*,_nd fo;r a produc&
tion  & and this w$as hi@s f]>irst >_Britis:h film^ since FRE<`NCH/  WITH`OUT TE!!ARS in 19-39. Director Al!> len was al"#`so a$n Engl!i*,shman who #. ch'ose to wo@'rk i/n :#the US, thi!s be[ *i&ng his first dir ;#ectoria)l effort in his homeland. This
was the f >our$\+t%;*h and last time Mil) land and @>Al%
.&len would work together, the.?^@i,@)`r pair^[ i ng having begu/<n in 1944 with the -]@wonderfu]> lly eeri@e TH $E UNINVI`
TED.