荣耀六@!十年

剧情简介

Si^+xty Gloriou>^s Year
s is a*)-.;n exerc]ise $[in the creation of ic onogr!":ap:__hy, both for Victo.
ria and i_(ts ;
,=^star,[ Anna;*+ Neagle (who subsequently/@ became k$ now=&(n as '=-R@*eg.^al Neagl(/.<e'). _Just +@%as`- Elizabe``!.th I_?, c'% $ommissioned a%rti sts @to create 
,<(fl` >a_,tt&>ering iconic
&:
" i]?mages"/ for public(! consumption, so this,< @<`^fi>lm performs a similar f>\([un$c/<>[^tion, for N[,,\ea
#_'$g`=le +is(]/ more,"". beautif "u\^_l th&an the $ #real life Victo(]ri$ a. '<Cont^roversial ev*ents *(such as the '(Irish(;^\= probl#em/>#') are omit&^;/te;d and @unp('>leasant@ aspects \o`'f Victo! r  ;ia's charact>\^er (her 'petulance$, a+-rrogance\, f:`?(,av$ ou'ritis*]$m and 'r+,ight to$ privilege') ar+'*?e glossed +=#ove (\r as endear &i[_n@g little 'whims'.]
; Alb<^ert acts a;*]$s a mo%[derating inf@!luence when s?`he _[>=g&^o$es:. to# [o far(..@　　Th^ e) film followed a>,, yea[r ?af."ter the highly s:,ucces'*sful +/_Victori@.a -%the 'Gre? /at (d.' He@:rber:t Wilcox, 1*;937). Again the screenplay$< is by Mile-@s Malleso]n@ and Robert Vansittart, :$and man\y of the supporting cas[t (the cr'e#-am o;-f actin:& g talent of period) re[peat thei
'r roles, this time for/[ th&e co_lour&&@ cameras. >This wa.s the f]-'"irst ful`l lengt,h Tec+hnicolor %f(&,il@(m of c_[in,`em;@#atograph*e'&:r Freddie  You:ng, who cap$tu$(r=es the s*pectacle o<(f ro+;;yal wed')=)di,:.ngs'", gra. ,nd balls a`nd opu=+
lent in /terio^\;rs, wi?<th scenes actual/>ly filmed:,: at royal .palaces. Vivid battl-^e scenes, set in = Alexander @Korda's e (%mpi='re ter`:rit?+])ory (Se+'vast$=o#
#<po*]>l an`#-d the -'`Sudan), rival thos]"e in The / &[F\"^o(>/ur#% Feat<h`+="ers (d. Zoltan==' Korda 1939`)>: .　　The`\\ title music sets the *^,t*;one,
` a re.$,ga;\]l choir sings o)ver a s`.h):ot of th(&&\e crown. E<:)lgar's 1901 '"\`,Pomp and Cir ?.]cumstance' march is heard during #_the diamond jub!'ilee@ celebrati:/<ons and, as Vic
toria' /s\_ cof\&fin lies /`in state, the ?$film <'con[cludes>, with Antho/`@ny Collins' state`[.ly music a.cco:^]mp(#a][$*nied$
! by -'the text+( of Rudyard Kipl=*>#ing's =)&'Lest we @"(forget'. Combined with the _]\emot^*`$ional ap^^.pea\l *#of scenes of * Victoria co[)nnecting with>'  &her<-! '>%.ordinary= folk'^>, this i/=s[, stir!ring s
 tuf-\f.　-&　.]The film con%#nects with contem$p!)>or /ary ev*ent,s of$+* 1938. The re<@'lease o@f t@):wo celebratory royal films +*w`as;+ in$tended t,o boost public_& affection for; the monarc>=hy in t>.he w[a* ke of >##E%dward VIII's"? ab<dication. Anglo-Ger>man relat`ions wer\`e another to@$uchy subject. With%` another war&< on the ho[ riz/`on,\ in$<fl$ uential voices wanted )^appease,$_`ment, and t>=)he film coul#d be seen to fit! &[^t,[ha>
t
ag"-(enda. Vi_;^c%tori' * a her?#[$self was of mainly German descent,^_!] nicknamed 'th)#e grandmothe#?=r" _ of Europe',&*( wh+_<i=>le Albert is a>$ 'good German', charmingly played by Anton W_[al*brook a\ s a cu((ltured%\, /de")ce<];/!nt man.　　Sixty Gl<)\@ori$ous Years now seem)>?s ?unduly for /\m([_a)l and .@reverenti =al. Had mov%(ies ex==ist&ed during Victoria's r .;eign (t !h-$+ey o,^ nly eme[![@ rged  at the end\) this migh
"t >have been the kind of fil ?-\m *=produ<ced]&. Unl .ike M..(.rs.$( Bro^.wn (d. J-ohn/ _."Madden, 1997), it i@s all so very 'Vict *,oria/n'.　　Rog*@,er Ph;[\ilip Mellor