难以置-@信的事实

剧情简介

Fraugh$;t wi-.@'th over ob`'/*`vi<[ous sym]=\b)\o/\[lis%m,&">_ Hart[
ley's ea rly feature is (% n%!o<^netheless $.>a joy to wa) tch. Hal here shows us \ his unca(nny abi+&
lity to cast his c[&ha'*racters perfect`=+[ly came early in his career.　　Adrienn'$e Shel>_ley.^: i<%:!s @ '<a >n[*ea:^r
,@ per$<"fec&;t: foi;l to : herself,! equal( par^ts <&annoying =+teen b?ur geoning in he _,*r sexuality (tho%ugh using sex fo>,r several years); o,bses&;<sed with doom a:$nd inspire(, _\d by ideali@sm gone *)(w%@ron^;?g she is dece `&ptiv_<ely –* and simultaneously =+`– complex\ ^ @?-and si-?-mpl&=e. H#
er Aud)_ rey inspires so man;&
+y <[;levels -<of symbolis;]&m it is almost embarras ,singly rich (e.g., he
r modeling ca_#r(e*er beginn ing"+- wit&h _(ph,"oto_s of her] foo t –:< &cu.l\=minating ^_
her#, doin]&g nude (but ["`unseen) .+wo<$rk"; Man'ha .tt,_$[an move?; Euro%pe trip; her
: stealing, then sleeping with the m;^ec"hanics wrenc?@h"^, etc.)　　As Jo@ sh+ $, Robert B +

:ur"//ke gives\ an!
 absolu+?=tely<@ masterful performance. A reformed prisone<-[rpe $&/(nitent h?=e r&&et@]urn?s to ]his ho^me]'= ^<*to$+$(wn to face +dow&,n )past demons, accept]> his lot]\ a:nd be! gin):/" a >new life. Dres
sed in= black, and repeatedl]:!y mi:'=staken for a &]:;priest, h'&$?e
) c==%orre/ cts %e\%veryo@n+e (I'm a mechanic), ye]?-(t the symbolism is rich he abstains f  rom" alcoh) %ol!^, he @>;pr+/"actice&&s cel-^_;ibacy (is, in #fact
@ a virg^in), an$?d se\emingl?&$y has:= tak&e `n on vows +of+ pov="<er
) ty, *:and humility&= as w;.el ]@l. The
^! humility "/seem_("s ha @$rdest to$ sw?, @allo`&<w s#$ \e^#.]eming, at t-imes+) ,
<
alm%,]os#
t false, a pretense. Yet, as we learn more of Josh we see +[genu)ineness in&+ his modesty, that his hum.&[ility is indeed earnest a^nd+.,? beli%ev+able
&. W['hat s-/\ee,ms ironi!-_c is the c('\haracter is fairly for\ thrig$ht in his simplicity, yet so ri@'chly drawn ;/[i@t becom: [es the viewer wh#o wants#& to ma<' _k
-e #=him ou
,$t as more than what he ->[%?actua=%lly is. A *+fascinating
/ly wr)/itten char];?]acter, perfectly \played.　"?　The s)!>cen?[e <:]>bet
?we?,,en Josh and Jan_"e (a won@derful, young Edie Falc[)o . . . @[You; n*ee = d a w'*&oma(n not a gir#(?l) i*s! 'h<?ilarious . . :_. real. But Har,'tle#y can\^'.>
t l!^,eave it as< = `such and hi` s trick,? - ha- ving th e a(%&ctors r)*&=epeat the dialogu &$e @ ' over-and-over b ecomes fru/str@]_atingly# ar,@(-/ty and annoy@<ing . . . - until agai$$ n it bec#"omes ['hilario^!us. What a terrific sens]= e of \bizarre reality this lends ,the film? (,=like k]()ids in a p@"erpetua"]?l am n&(ota<),re t#oo! argument).　　Har>tle:>/y's w!%eaves a#-ll+ of a small neighborh,#\ood's* i'`+diosyncr'a;!<sies into a $ tapes\ t&ry ' ]of seeming stere=*]"otyp^_e =_/s but which delves fa<- r benea [/ th", the su !rface, &the catalyst being th at everyone^> be@lie
ves they know what!= th>"e un\?/beli\@[evable 
truth&_ of the ti ^t_le is,! yet no two people can &=ag"#(r[@ee (includ)in=+g our h>ero)@ on%> what exactly that tru% th is. A wonderful little mo/&,vie with s-ome ]^,big id=\e"@as.