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卧龙战警

卧龙战警

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年份1992
地区美国
语言英语
状态HD中字
导演:比尔·杜克
演员:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯

剧情简介

Having wit<!@nessed hi*s junkie fath+)!er k?\il#led>$ Russe'll Stevens grows up t.;?.o be@c(@ome&#\ a p;!ol>& >iceman: ^<and make +a difference. When<(< he is off.ered an !#unde^rco!&ver j_)=ob by ;Ge-]ra-;+ld/) ]?Carve?&r he acce ]pts #(<and begins to build) a r<elationship \with; Da/(:!vid!*>& Ja<so!n in)>!= order t:o';+ g+_et to the main dealers. H+`.;owever as he is forc*[ed to deal^ drug^s and kill to keep(> his cove>[r h\e finds the ^`lines betw>e"/.en cop (.and criminal be*ing-/=/ lo"s#t – is;` he a[_ cop pretending to &$-=be a dealer or ('a dealer ,pretending to % be a? cop  Lar]ry (%!as he-_: was ,=then) Fishbur_=_n/e)'s]  fir;st lea*:*(d ^ro #] le was a typically=) dark vehicle. [] T?;=-he s=)_tory is the us \$ual \]one\ of cop &@losi<n^>g him! .self when u%#(nderc] < /o*ver, how ever _]it manages to be more than! that_`! for most of the time. C ,o-writte#,n ^by Tol+>kin, who: >&wrote/- T;&he Pla=\yer, this` naturally has a ni>>c$e cyni#cal edg\(.e to it when it l ooks (at <the US's hypocri>!,<tic -(al approa& ch to d&rug control and $_=the political link#s) bet> we? en the stree&[@t#_+ hu`stler %s an,d[[ !@'the poli,*%t%" ical 'high ro@llers w-ho court respec+ tability. The_#_ story does ev\@entual[&ly settle into a @'&traditional settin^:_]g b ut], e_]:ven "/then it wor',#ks $"well as a =thriller.  Th::e m=-#ulti-tale-nted Bill  "Duk,"e di ..rects well with a gritty feel and a>+/ few ]nice touches. However-;% several t"h +ing(+s are a bit iffy_(?. For most +)&of>& th:e film Fishburne's nar$/ra:ti*:!\o^nvo'ice over is a b_i$%t like a cross between Apocalypse N>ow !$and Bla`.&de,- Runn<er – '>it comes acro s"\s 'a,,\>s a li[ttle too]?!_ dark and heavy and al')so exp%lain."s th/ings like w (e can')t figure_= it out ou_rselve`<s. How()ev,-er `:o  nce you  get in>`to th@e .,fi+\lm it's not a#s big a deal. My  main problem \!lies\ with the" charac)+.]ters.  Fi<'#shburne+ is excellent?, a re_?)al- m=odel o\>_f underlying * ang '\(e_&'r and ##-;violence, Goldblum is (good but perh&!aps a% litt/ le /`OTT> on the^> y )" )uppieviolence thing, bu\t there's goo*'d support from Sm@>it%h a/)nd\ Spin Cit,?[y's beautif-&ul (and o##ften underus%=ed $@%:–] but not he_re) V[i@*ctoria Dillar<,d. However the two main _'white chara^?cters= )?@(G oldb.lum $[a_$<nd Smi]th) ar) `e both smeared with r)ac%-ist ins%, i;nuation!?_s  – .$Smit>h appears> to? insul>t his b-lack officers _ and (doesn't care a/bout the junkies, whi*:_le Goldblu_m '"is .fasci@#nated*^ ab`>out all<=& things black and talks a:bout them as wild beauti;f.?ul bea:[?sts a?nd loves!# ha`ving sex with bl:&ac;%%k^'. Th- ^ese# things aren't a major pr_+)oblem, but wit@")h basically only two`)., white c+har?)?acters in it,+ it's a little worryin?!]g that_:@ both are ]$_give'n tha;%?t edge.  However these are m&<inor com?p&[la<$<i" --nts+ th\'at get l<ost:<% with a/,+$ g%@ood +#thriller. Fish burne exce`ls and Duk e< `):=delive#rs a st! o@=,r_\y that is a good thril?ler but+ als&_&=o ha..s a jaded, subve ,rsive edge.

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