米兰九&口径

剧情简介

Ferna+"ndo Di L/"\eo's Mil" a?no Calibro 9 is an ou?)[t-and-out masterpi;ece ">of '[+Ital"(ian# Crime cinema and, in  my op(inio!n%[",  one of \_th &e@ $'; most astonishin*(g @ .cri-me stories ever told. Th"e fi)%(rst >.)film in\ Di Leo's e&=xc;
]el\le ,n_,
=t 'Milieu' %t^;rilogy, M%
>ilano Calibro [ 9 wa!#s foll%)owed by La?\! Mala Ordina (aka. Manh</;u nt, also 1972) ">^ and the brilli;'.ant, #.'Il Bos%;s (1973). The thr)/=ee films are%) not connect[>ed st$ory-wise, but all th<\^ree a%,re e^xcell$ en/&`#t, an"d]": h*! ighly realisti]<,c >#portrayals of organi>z@e ] d crime. As far as I am con*cerned Ma,/%nhunt is@, (allthough exc ellent) s>(#l\ightly inferior^* t"o this /]on)!/e =#and I(l $Boss which both stand )<>_o=.ut & as absolute all-time highligh (ts of. c)@(<ri^me cinema. _@ M'ilano Calibro 9 is the $best o^\> $f/ #them /.@_all, ,a film ?!that is `*ast%*onishing in all aspects, be it the in` # ge(/nious plot th_at:,:, -apart "?from a compelling ;
st .ory and clever:-* twists,  includ)':[es soc .ial 'cr%it/<@
icism, the performances, th>>e gritty atmosphere an&+d s\/uspense or th.$e br!]illiant:\ score. I c[an@\ hardly fi=n(d _`]the right words` to exp^res<s my admiration for this m+\!as?* ter@piece:, ,[(which easily ,% r,
a^@,#nk-- s amon <g the greates.]/t Ga!?(ng]st"er %flicks ever brought to screen.　_$　Gasto#)ne Mosch<[i-_]n stars as& Ugo Piazz>.]a,^, a+/ tough "and\, elliptical_ ex-convict who \ has jus&t been.' release<d fro!m prison.->; Immedia@$tely after h is rel
ease, U$!>+go+!/@& *
is approached +
+by :members ?& of the Milan mob le>ad*;
@$by the irascible gangs <
ter Rocco (Mario^ Adorf &),
([" as they su\sp > ec].=t him to be
responsible for the d`isa%[-@ppear!@+an@ce of a$ large sum of money belonging to their boss, an A_$merican (Lionel Stander)$_- who controls /the or)=gan@ized *crime'\= \!in M ila#"n...　　Milano Calibro 9 is a' fi"l'>"m that d elive$%r@`%s a"n a!`*@stonishingly real?istic mood of the underwo,rld like hardly  anot+]_h**er. The intr@!igu_#ing storyline! goes\ in h$\a^.nd with ,'int?eresting@)( chara"cters, ra/").w; !atm[-osphere,] su$sp_:-ense [<<and `"-breathta%king action, so/cial criticism and brutal violence. Th&@e film is simply stu.)nning from the )
b>\,eg=inning to the!- en\"d, which is ^*eve<>n intens"if#_^ied by the bri*?lli- ant score\, a@\ collaborat\ :ion o&%f? the famous comp,:oser L_- ui;%"%s'`'< Enríq'?u
#=ez Bacalov^< %@-and 
the I<>,tal$]i ]an Progressive# Rock b?`=and O:/sanna.; Ugo &< %< Pi$;>azza must be one o ?f th,?e -:<most cha->r?-ismatic gan`(g+s<ter ch)$$arac) t)=<%e$rs ever in c@&inema, and Gast<>^one Mo)!s=$!chin(*`@ was:^ t^he prefec't choice for@/. the role. Mo^[ schi %n de$,l<i%:@vers a brilliant performance, and t:he re,=st" of the\ [)cast is ;&also gr*__e' a& t.+^ Mario+ Ado (rf is ira?sci @ble like a@) r=a.+.bid
"'dog as  ?!the ferocious gangster Rocc <-!o, a role t=.hat fits h im like a glov e. The g <&reat Lione_=(l Stand.er fits `.
/perf)?#ectly in his> role of the Ameri"!can @
& M+:afia Don%&<=."?^
　　The t.+'wo  >cop%: char)'acte],#&/rs in  the film.  are_ pl<&@%%ayed by two o;!f the"] gr?#eatest regula,_: "rs of,@
Italian ;g#@ enre-cinema&', ^*)Lu,[igi P;(`istill[i and/. Fra;= nk >"Wolf\+<_f (who committed -(suicid < e'; before the film;" was release-[d).
The rav], ishing Barbara ,Bouc$ `.h"'/et $[ is astonish([ing <_and incred.;ibl>y*`- sexy in! the role of Ugo Piaz) za's+ str,-ipper$- girlfriend. Bouc`-+het is ^ bot=*=h a &stunnin\g ]"!_b+ <eauty/ a((-nd an e@
xcellent act/%([ress_?/::
+and>@< thi =[
s" is doubtlessly  one o-@f her mos;;t& memora<ble roles. This is a?$lso*[ a @*polit`=`ical f,)ilm and?_ @._director ='Di -_^_Leo em?+(bedd$`!ed a l-ot of socia =#l criticism' about t?opics* like corruption. This film simp"ly'+ ha=$s$ e-v".erything one can possibly desir :e i?
n c'<inema.) Films (^[l%ike Milano Calibro& 9 are the reason- why I love
\. c<,inema. : +This +is an absolu;[^te masterpiece in all regards //%=and, wi#(tho**>ut **]ex(&aggerati\on,'( one of# t_^he g#(reates[`;[t( Crim"%e flick"  s- ever mad[e!  ?The <$ingenious /o]'pening scene alone is more m"e% _mo,@rable tha/;n .@m,
@^ost film :s get in$ two'(* h[!=ours.