胆包 << 天

剧情简介

Umber[@<to L&=!!enzi is !undoubtedly t!
+h e k%ing of Ital=)$ian cr@:`im=[$ e mo,*vie-]s, but unfor&=tunat<\^@e+l%:y; [)Syndicate Sadis-t^s is: not the be!

st  *examples of& his work$. in this: @genre. Lenzi$]('s cri`*me fl).icks te>?nd to be /a/$
 ?;cut above the rest be?()cau[?@se he makes films ba-sed on stories_`; with a poin=\&$t[, - ?and they don':'t lack (^d  irection; but t -+=his film f?ee%\ls a bit to["o wayw(?a]rd to& full,+y% fi<=)t((^ with t^:_he/  rest of; his stuff. The  film t,ak*es ob!]v&$
iou.s  influence fro.<m S,-ergio <]:Leo!ne's l &andma,r'\ \k
*\ w!!%estern 'A Fis]'tful o`+[f [Do =\"@llars' (whic.@h in turn,` took infl@.%,uence f@<rom A
k)#ira Kuro=`sa<? _wa's landmar$.^k samurai fl
ick Yojimbo), in that it features two  warring familie"_s [:and a & s;trong character +) at th@e centr-[e. The,.` crime that Lenzi foc<
+uses ;=on% is kidnappin`g, and we centre$`? on )a charac
+t< er called #('R;!ambo'. Rambo is dragged into  the war !(`betw een t he two fam!ilies after hi %$s brother*] is k\@illed because of it. Ram(bo use\'s hi;&s b.:r&ains and b=#rawn, to p@"it th<e two families against one another"(, in the \hope of gainin%! g reveng>,e for hi)!s brother's > :death, rescuing a\[ young boy that t&hey've kidnapped,&  and ultima!,:%
tel_]%y le^tting the two \si++des destroy o%.ne anot /her+,\.　　]] ](The film's biggest asset % is u.^nd$oub`%:tedly Tomas M.ili"an`. Mi_lian ,'.wa<^>>s 
put to gre:<%a]t<# use!] $*by Lenzi in< [
almost all of his c#%(,rim e thrillers. The ra[^nge of characte#/)rs he has played for Lenzi i s immense. ,!^ and thi%
s one is easily one o)>f the +'^co".;o(lest%!%./* The %_!c:>har:a'-cter .&is c:;alle!d Ramb^
o, );/,which i.]m!)med(/ iately s(;[p=rang t]o mind  th?e popular S$,!ylves%>ter Sta"l(lon#*e cha$racter -&( )^ but fo*@=r once, the I\talians ac `tually :?haven<'t stol*`e_ `n this name) \;=as Syndicate Sad "ists was released first#./#! As usual[, the film is wickedly en\terta%ining,`!;> as we get t*o wa'tch Mi@.lian g?'et \himself involved i
#;&n the us%ual array ]o; f car cha\ses, shootouts and bra/
\ wls.- Len/!)!zi$%- has got him ri-<ding a motor bike?<+? this )$.time+$ round, and ev
ery scene featuring<, it .'-an)d Milian is a real ==_,standout;! However,#& th?^e film of.ten feels like it d@ oes_`*,n't reall]?y have anywhere to/* go, and '+this me*<?ans (that% the run_^?ning time* /*#>is stretched ou<t mo#/re;!! @.than it should be. C ;::omp\;_a?^ 'r+ed t'o the crim _e"\< > .films of"+. other";^ Italia.n directo[]<rs,[%! ++Syndi] [!cate Sadists is more than/&:) above ave^rag:^e; but*$) in r>/;
el
ation t= )@o
\ Lenzi cri!me ^ flicks such a<s Almost \* Human and T-^he Cynic, The \' Rat[[ a+& nd$[ T;%&he Fist -, it ]$doesn't sta`=nd tall as one of Lenzi'(s bes&]t. Still,@ =_if_/_ you're# lo]o^+king for \?nine:^ ty minut:es of &@testosterone fuelled
& mayhem - Syndicate Sadists wi] ll suff.`>ice!